Following The Broken Estate, The Irresponsible Self, and How Fiction Works – books that established James Wood as the leading critic of his generation – The Fun Stuff confirms Wood’s pre-eminence, not only as a discerning judge but also as an appreciator of the contemporary novel.
In twenty-three passionate, sparkling dispatches – that range over such crucial writers as Thomas Hardy, Leo Tolstoy, and Edmund Wilson – Wood offers a panoramic look at the modern novel. He effortlessly connects his encyclopaedic, eloquent understanding of the literary canon with an equally in-depth analysis of the most important authors writing today, including Cormac McCarthy, Kazuo Ishiguro, and V.S. Naipaul.
Included in The Fun Stuff are the title essay on Keith Moon and the lost joys of drumming – which was a finalist for last year’s National Magazine Awards – as well as Wood’s essay on George Orwell, which Christopher Hitchens selected for the Best American Essays 2010. The Fun Stuff is indispensable reading for anyone who cares about contemporary literature.
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This is a masterclass in the art of reading. - Metro
Wood is the most engaging of current commentators on literature. - Spectator
Impressive breadth of reading (especially contemporary East Europeans here) and perceptively close attention to texts. - Sunday Times
It is a pleasure to follow his education and learn something in turn. - Economist
The gift of the great critic is to be able to explain complex concepts to the reader in a manner that is neither bamboozling nor patronising... Wood has this gift. - Observer
Shot through with his characteristic light humour and moral seriousness, each expertly constructed paragraph rich with metaphorical insight. - Sunday Telegraph
The minor flaws here, then, are reassurance that Wood is merely one of the finest critics around. - Independent on Sunday
All these essays are shot through with his characteristic light humour and moral seriousness, each expertly constructed paragraph rich with metaphorical insight. - Telegraph
This is a book that's impossible to read without gaining a greater appreciation of what it means to write well, both in the case of the work under review and, just as pleasurably, the reviews themselves - Observer
A passionate and instructive case for great writing. - Evening Standard
A source of continuous enjoyment. - New Statesman
The Fun Stuff displays the steely verve that makes James Wood's criticism thrilling for literature specialists and general readers alike. - Independent
This collection is, as the title suggests, a lot of fun. Even when you disagree with his judgements, it's impossible not to be dazzled by the breadth of his reading. - Sunday Times
[A] seriously enjoyable collection of essays by the New Yorker's resident literary critic - Sunday Telegraph
James Wood writes superbly about writing - Evening Standard
This scintillating collection offers trenchant analysis and original insight into the works of a wide range of important writers - Mail on Sunday
Viewed through Wood's eyes, even the best-known novels appear before us looking naked and strange - Guardian
[Wood's] encyclopaedic knowledge and compact, energetic prose makes him an illuminating and acerbic guide to literary giants - Big Issue in the North
[Wood] delivers some golden insights - Sunday Business Post
[Wood's] insight into writing is impressive and the sheer joy that he takes in others' literary dexterity is infectious - Independent on Sunday
A panoramic look at the modern novel - Observer
By this author
About the Author
James Wood is a staff writer at The New Yorker and a visiting lecturer at Harvard. In addition to How Fiction Works, he is the author of two essay collections, The Broken Estate and The Irresponsible Self, and a novel, The Book Against God.