'Wonderful...exquisite...devastating' Independent on Sunday
'On Chesil Beach is more than an event. It is a masterpiece' Times Literary Supplement
It is July 1962. Edward and Florence, young innocents married that morning, arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their private fears of the wedding night to come...
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McEwan's brilliance as a novelist lies in his ability to isolate discrete moments in life and invest them with incredible significance - Observer
McEwan's style is lean and clear...every sentence feels carefully crafted, the words all perfectly in place - Daily Mail
A tightly focused human drama... McEwan gives the reader access to both characters' thoughts with his usual skill, and the comedy of embarrassment, or of the kind of erotic misunderstanding that Milan Kundera used to specialise in, quickly disappears as the marital bed begins to seem more and more ominous... The bedroom scene itself is carried off brilliantly - Sunday Telegraph
A fine book, homing in with devastating precision on a kind of Englishness which McEwan understands better than any other living writer, the Englishness of deceit, evasion, repression and regret. In On Chesil Beach McEwan has combined the intensity of his narrowly focused early work with his more expansive later flowered to devastating effect - Independent on Sunday
McEwan is the kind of author who can say more in a sentence than most can say in a chapter...This is a thoughtful book which provokes thought. But more immediately than that, this is a book which, while managing to be very funny, gives us a wonderful and moving portrait of a specific time, and two of its hostages, and of how to make a mess of love - Irish Times
This is McEwan's mature style, one we have come to recognise from Atonement and Saturday. It is a polished, civilised style, and very distant from the shock tactics of his early work... McEwan brings Florence and Edward touchingly alive for us; and their seriousness, their idealism, and their desire for love draw us towards them - Guardian
A master feat of concentration in both senses of the word - Sunday Times
One of our greatest living writers. Many Easter weekends and train journeys will be enlivened by a compelling novella - Herald
To commend an author for being reminiscent of Edith Wharton is a compliment that this reviewer reserves for a select few. Yet with On Chesil Beach, Ian McEwan has earnt it - Telegraph
It is a masterpiece. The very idea that informs it, fascinating and unfamiliar, is masterly - TLS
A didactic, ironic novella of great accomplishment and calculated ambition. Structurally and linguistically, it is a triumph...intriguingly compassionate - Prospect
It is a measure of McEwan's artistry that he is able here both to linger in the recording of sensuous particularities and at the same time to deliver the satisfactions of plot we are accustomed to deriving from his fiction - Time Out, Book of the Week
McEwan shares with his fellow English novelist Jim Crace not only an interest in history but in finding a style in prose that is slow-moving, yet compelling, at times stilted and dry, and then suddenly sharp and precise - London Review of Books
The protagonists of On Chesil Beach have everything to lose, and their faltering journey towards a point of no return is conjured into life by McEwan with irresistible subtlety, tact and force - Scotsman
The book is steeped in lost hopes and disappointments, with each sentence as powerful as a Larkin poem. I didn't know a British novelist could still be this good. - Express
McEwan is word-perfect at handling the awkward comedy of this relationship and, as ever, turning it into something far more disturbing - Observer
Two characters so vibrant they step straight off the page - The Tablet
Ian McEwan is the author of two collections of stories and ten previous novels, including Enduring Love, Amsterdam, for which he won the Booker Prize in 1998, Atonement and Saturday.