After the disappearance of their father and the sudden death of their mother, Lee Hart and his deaf brother, Ned, imagine all is lost until Lee lands a traineeship at their local funeral home and discovers there is life after death. Here, in the company of a crooning ex-publican, a closet pole vaulter, a terminally-ill hearse driver, and the dead of their local town, old wounds begin to heal and love arrives as a beautiful florist aboard a 'Fleurtations' delivery van.
But death is closer than Lee Hart thinks. Somewhere among the quiet lanes and sleepy farms something else is waiting. And it is closing in. Don't bring your work home with you, that's what they say. Too late.
Sometimes sad, often hilarious and ultimately tragic and deeply moving, A Trick I Learned from Dead Men is a pitch perfect small masterpiece from a writer described by Richard Ford as having 'a moral grasp upon life that is grave, knowing, melancholy, often extremely funny and ultimately optimistic'.
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The most perfectly formed, originally voiced, heartbreakingly real story I've read in years. I laughed, I cried, and mostly I just marvelled at how bloody brilliant this book is. -
Aldridge is a skilled observer and the novel is full of detailed, sometimes strangely beautiful descriptions... Aldridge shows her eye for detail: there is joy to be found in the mundanities of day-to-day life. - Times Literary Supplement
A wonderfully funny, original novel. It is a testament to Aldridge's writing that she manages to create a convincing and expansive universe in such a modest space. In writing about lives and deaths reduced to their smallest elements she has created something joyous and life-affirming. - Guardian
Kitty Aldridge has a gift for original prose... The narrator’s tone of voice is pitch-perfect...blackly funny, moving. - Independent
Kitty Aldridge has a talent for vocalising the thought of the young... In her first-person narration, Aldridge captures the idiom and diction of an earnest working lad...his staccato sentences are immensely powerful. - Independent on Sunday
An uplifting tale of life after death. Dead good. - Time Out
Finely handled blend of the funny and sad. - Sunday Times
Wonderful. - Observer
This small but perfectly formed third novel from Kitty Aldridge is over too soon but is impressively accomplished, nailing the distinctive voice of its protagonist… Inventive coming-of-age tale (4 stars). - Metro
An absorbing read. - The Lady
Kitty Aldridge’s latest novel mixes pathos and bathos in industrial quantities…he [Lee Hart] is an immensely likeable protagonist and Aldridge has absolutely captured his engagingly open inner voice. - Scotland on Sunday
Wonderful… I am completely convinced by Lee and drawn along with his narrative voice which Kitty Aldridge has pitched to perfection… Kitty has taken a taboo subject and achieved that fine balance, writing engagingly and openly, and with great sensitivity and humour about something most of us just don't like to think or talk about. - Dove Grey Reader
Quirky and original voice, often amusing and touching, A Trick I learned from Dead Men illuminates and dignifies an ordinary consciousness in an ordinary little corner of England. - Book Oxygen
Touching, clever and original piece of work. I thoroughly recommend it. - Book geeks
Kitty Aldridge was born in the Middle East but grew up in England. A graduate of the Drama Centre, London, she has since worked in theatre, film, and television as an actress and writer. Her first novel, Pop (Cape, 2001), was longlisted for the Orange Prize for Fiction 2002 and shortlisted for the Pendleton May First Novel Award 2002. Her second novel, Cryers Hill, was published by Cape in 2007. Her short story, Arrivederci Les, won the Bridport Short Story Prize 2011 (Bridport Prize Anthology 2011).