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Linda Newbery
is one of those very rare, apparently effortless, writers who manages to weave together sometimes controversial subjects in a quietly confident and open-minded way. She explores areas of subtlety that are relevant to us all, both young and old, and her novels show time and time again the breadth and depth that only the best children's writing can demonstrate. Words and sentences flow as words should and readers become caught up in the wonderfully observed and truthful complexities of life and character. And all this happens quietly with little fanfare or writerly fuss, almost like magic.

“Newbery writes wonderfully”
Jonathan Douglas, The Financial Times

“Wonderfully assured ... highly recommended.”
Robert Dunbar, The School Librarian

 
 



Linda has the power to make words sing their story and this is all achieved by amazing dedication and care, and the most wonderful ear for language. She is without doubt an extraordinary writer, and we are privileged to publish her. And as Linda's publisher for the last six years, we are so excited that this book has won the Costa 2006 Children's Book Award. There is no more deserving winner.
Bella Pearson and David Fickling 

SET IN STONE
Love and possession. Art and immortality. Convention and defiance. Ambition and desire.

Linda Newbery’s third novel for David Fickling Books is an absorbing, atmospheric, reader-teasing mystery in the tradition of Wilkie Collins and the Victorian Gothic novel, set in 1898.   Fourwinds, a country house close to the South Downs, is the pride of its owner, wealthy widower Ernest Farrow.   Samuel Godwin, a gullible young artist employed by Farrow as painter and tutor, is irrevocably drawn into the lives of the three young women at Fourwinds:  demure Juliana; Charlotte Agnew, governess and companion, who reveals little of her thoughts and aspirations; and Marianne, the younger daughter, passionate, wilful and unpredictable.   Intrigued by Marianne to the point of obsession, Samuel little suspects how thoroughly he is being manipulated.
It’s not only the people who fascinate.  Samuel is equally entranced by the house itself: Fourwinds, beautifully designed and furnished in Arts and Crafts style, a house to delight and surprise with the attention paid to every detail.   What, though, can account for the absence of the West Wind carving, and the disappearance of its creator, the gifted sculptor Gideon Waring, whose name must never be mentioned in Mr Farrow’s hearing?   Awed by Waring’s skill, Samuel longs to meet him and to see more of his work.   But in doing so he uncovers secrets that are both horrifying and dangerous to all ...
Narrated alternately by Samuel and by the self-effacing, secretive Charlotte Agnew, Set in Stone will grip and enthral its readers.

          “To handle stone is to handle the stuff of life and death, of time and change, the mysteries of the Earth itself ...”
 
           
 



Sisterland
"Linda Newbery writes beautifully and with astute control of material so that the way in which complexities are interwoven but clarity and perception maintained is amazing." Chris Brown, The School Librarian

"This substantial novel moves skilfully and smoothly between Germany just before the Second World War and contemporary England, exploring issues of identity, secrets and betrayal ... a multi-stranded plot beautifully held together through the quality of the writing." Carnegie Medal Judges

"Outstanding ...one of this year's most compelling 'crossover' reads for teenagers and adults." Elaine Williams, The Times Educational Supplement

 

 
 

 

The Shell House
“A unique exploration of spirituality (an area that most teenage fiction avoids) and sexuality ...extremely satisfying.” Geraldine Brennan, The Times Educational Supplement

An author to watch, with The Shell House her most ambitious novel yet.” Nicholas Tucker, The Independent

 
   
SEE THE COMPLETE BOOK LIST

Linda Newbery has been awarded the Costa 2006 Children's Book Award for her novel Set in Stone

Visit the Linda Newbery website

Read an extract from Sisterland

Read an extract from The Shell House